Korg Synthesizer Instrukcja Użytkownika

1E

1–1e: ScaleSpecifies the scale typeType (Scale Type) [Equal Temperament…All Range User Scale]Selects the basic scale for the internal tone generator.

1–1f: Panel Switch AssignThese parameters assign the function of the front panel SW1 and SW2 switches (assignable panelswitches 1 and 2).SW1 [JS(X) Lo

1–2: OSC Basic1–2a: Multi Oscillator Synthesis SetupHere, you can make settings for the oscillator.The parameters that are set in “2-1: OSC 1” and “2-

1–2c: BendingSpecifies the width of pitch change that will occur when the joystick is moved to left and right.JS(+X) (Joystick Intensity +X) [–60…+24]

1–3: OSC 1 PitchHere, you can make settings for the basic pitch of oscillator 1, pitch modulation, and pitch slope.1–3a: Basic PitchSpecifies the basi

AMS.2 (Alternate Modulation Source 2) [OFF…MIDI (CC#83)]Selects a modulation source 2 (☞page 64 of this manual) which will modify the pitch (e.g., app

Program Edit P2Here, you can make settings for each oscillator type. The oscillator type is specified in “1-2a: MultiOscillator Synthesis Setup” of “1

2–1a: WaveMain Wave [Saw, Pulse]Selects the main waveform. Select either Saw (sawtooth wave) or Pulse (pulse wave).Level [0…99]Specifies the output le

2:1 OSC 1 (01: Standard)Type (Wave Shape Table Type) [Clip/Reso]Use the radio buttons to select the wave shaping table which will modify the input wav

2:1 OSC 1 (02: Comb Filter)ParametersProg.EditP2 02: Comb FilterIn this oscillator, the signal from the other oscillator waveform or the noise generat

Contents1. Introduction --------------------- 1Features of MOSS-TRI-----------------12. Bank M Program Structure -- 2Program structure----------------

2:1 OSC 1 (02: Comb Filter)Level (Input Wave Level) [0…99]Specifies the volume level of the signal that will be input to the comb filter.Noise Level [

2:1 OSC 1 (03: VPM)ParametersProg.EditP2 03: VPMThe output of a carrier is phase-modulated by a modulator, and output through wave shape processing.By

2:1 OSC 1 (02: Comb Filter)AMS.1 (Alternate Modulation Source 1) [OFF…MIDI (CC#83)]Selects a modulation source 1 (☞page 64 of this manual) that will c

2:1 OSC 1 (04: Resonance)ParametersProg.EditP2 04: ResonanceThis oscillator produces a wide range of tonal change by allowing you to specify the cutof

2–1b: BPF1…4Here, you can make settings for each band pass filter 1—4.Level [0…99]Specifies the output level.Coarse [1…16]Specifies the harmonic (over

05: Ring ModulationThis multiplies the modulator and carrier and outputs the signalproduced. One of four types of waveform can be selected as thecarr

2:1 OSC 1 (06: Cross Modulation) 06: Cross ModulationThis uses a modulator to frequency-modulate a carrier. Youcan select one of four waveforms as the

2:1 OSC 1 (07: Sync Modulation)ParametersProg.EditP2 07: Sync ModulationThis uses the modulator as the master waveform and the carrier as the slave wa

2:1 OSC 1 (08: Organ Model) 08: Organ ModelThis is an oscillator used to produce organ-type sounds. The oscillator simulates three drawbarssimilar to

2:1 OSC 1 (08: Organ Model)ParametersProg.EditP22–1b: Percussion Level [0…99]Specifies the volume level of the percussion effect for drawbar 1.2–1c: D

1. IntroductionThank you for purchasing the MOSS-TRI DSP Synthesizer Option. To ensure long and trouble-freeenjoyment, please read this user’s guide c

2:1 OSC 1 (09: Electric Piano Model) 09: Electric Piano ModelThis oscillator simulates an electric piano.There are four groups of parameters: Hammer (

2:1 OSC 1 (09: Electric Piano Model)ParametersProg.EditP22–1b: Tone GeneratorThe Decay and Release that you specify here will control the output level

2:1 OSC 1 (10: Brass Model) 10: Brass ModelThis oscillator is a physical model which simulates lip-reed instruments such as a trumpet or trombone.By u

2:1 OSC 1 (10: Brass Model)ParametersProg.EditP22–1a: Inst TypeInst Type [Brass 1, Brass 2, Brass 3, Horn 1, Horn 2, Reed Brass]Selects the instrument

2:1 OSC 1 (10: Brass Model)2–1d: Bell CharacterTone [0…99]Specifies the tone of the bell. As this value is increased, the low frequency portion will d

2:1 OSC 1 (11: Reed Model)ParametersProg.EditP2 11: Reed ModelThis oscillator is a physical model which simulates woodwind reed instruments such as a

2:1 OSC 1 (11: Reed Model)2–1b: Breath PressureEG [EG 1…EG 4, Amp EG]Selects the EG which will control pressure.For details on the settings for each E

2:1 OSC 1 (11: Reed Model)ParametersProg.EditP2Shape [0…99]Specifies the character of the table that will shape the input waveform. For details on how

12: Plucked String ModelThis oscillator is a physical model which simulates plucked string instruments such as a guitar orbass guitar. You can specif

Noise Level [0…99]Specifies the level of the noise component that is included in the attack waveform. As this value is increased, agreater portion of

2. Bank M program structureProgram structureEach program of bank M has the following structure.Oscillator sectionThis is the section which creates the

KTr (Damp Keyboard Track) [–99…+99]Specifies how the Damp amount will be affected by the keyboard location.With positive (+) settings, the Damp value

2:1 OSC 1 (12: Plucked String Model)ParametersProg.EditP2Dispersion [0…99]Specifies the inharmonicity of the higher partials relative to the fundament

13: Bowed String ModelThis oscillator is a physical model which simulates the sound of a bowed string instrument such as aviolin or cello. By control

2:1 OSC 1 (13: Bowed String Model)ParametersProg.EditP2DifferentialIf this is not checked, the value produced by EG, AMS.1 and AMS.2 will be used as t

Damp KTr Key [C–1…G9]Specifies the key above and below which keyboard tracking will begin to apply to the “Damp” effect.Low Int [–99…+99]Specifies the

2–3: Sub/NoiseHere, you can make settings for the sub-oscillator and the noise generator.The sub oscillator lets you select one of four basic waveform

2-3: Sub/Noise2–3b: Noise GeneratorHere, you can make various settings for the noise generator.Filter Type [Thru, Low Pass, High Pass, Band Pass]Selec

3-1: MixerParametersProg.EditP3Program Edit P3Here, you can make settings for the mixer and filter.For the way in which the mixer, filter and amp sect

3–1b: OSC 1 ➝ Out 2These parameters adjust the level at which the oscillator 1 signal is output from mixer output 2, andspecify a modulation source t

3-2: Filter 1ParametersProg.EditP33–2: Filter 1Here, you can make settings for one of the two multi-mode filters. Each multi-mode filter can be setto

Filter sectionThis section modifies the waveform by attenuating or emphasizing specific portions of the frequency spectrum.It contains two multi-mode

3–2b: Filter 1Type [Low Pass, High Pass, Band Pass, Band Reject, Dual BPF]Selects the filter type.When Dual BPF is selected, the “3-3: Filter 1 SUB” p

3–2d: Keyboard TrackKeyboard tracking settings specify how the cutoff frequency of filter 1 will be varied according tokeyboard position.Low Key [C-1…

3–3: Filter 1SUBIf the “3-2b: Filter 1” Type parameter was set to Dual BPF, you can make settings for the “3-3: Filter1 SUB” parameters.3–3a: Input Tr

Low Int. [–99…+99]Specifies the depth and direction of cutoff frequency change that will occur below the “Low Key.” With asetting of –50, the change w

3–4: Filter 2Here, you can make settings for one of the two multi-mode filters. Each multi-mode filter can be setto one of five filter types.3–4a: Lin

Program Edit P4Here, you can make volume-related settings.There are two independent amps, and the signals which are input to each amp are determined b

High Int. [–99…+99]Specifies the way in which keyboard tracking will affect the volume of notes below the High Key. If Low Int. or High Int. are set t

4-2: Amp EGHere, you can make settings for the Amp EG. The Amp EG lets you specify how the sound willchange over time. Since the Amp EG can also be us

4–2c: Level ControlVelocity [–99…+99]Specifies the depth and direction of the effect that velocity will have on the level of the amp EG.4–2d: Level Mo

Program Edit P5This section provides four general purpose EGs (envelope generators). The four EGs can be used asmodulation sources for the parameters

Characteristics of each oscillatorFor bank M sounds, OSC 1 provides thirteen oscillator types (methods of sound generation) and OSC 2 providesnine typ

Decay (Decay Time) [0…99]Specifies the time from when the attack time ends until the Break Level is reached.Slope (Slope Time) [0…99]Specifies the tim

5-2: EG 2, 5-3: EG 3, 5-4: EG 4ParametersProg.EditP55–2: EG 25–3: EG 35–4: EG 4EG 2, EG 3 and EG 4 have the same parameters as EG 1. Refer to “5-1: EG

Program Edit P6This section provides four LFOs (Low Frequency Oscillators). These LFOs can be used as modulationsources for parameters of other sectio

6-1: LFO 1ParametersProg.EditP6Key Sync [OFF/by TIMBRE/by VOICE]Use the radio buttons to select the key sync setting (i.e., whether or not the phase o

6–1d: Amplitude ModulationAMS (Alternate Modulation Source 1) [OFF…MIDI (CC#83)]Selects a modulation source (☞page 64 of this manual) that will contro

Program Edit P7Here, you can make settings for the insertion effects.For details on the parameters etc., refer to Parameter Guide page 44, “Program Ed

Modulation Source List00: OFF01: EG 102: EG 203: EG 304: EG 405: Amp EG06: LFO 107: LFO 208: LFO 309: LFO 410: Portamento11: Velocity (Soft)12: Veloci

DataPrecautionsRegarding program change (MIDI) receptionDepending on the oscillator type used by a program, some time may be required after a program

3. ParametersThis section explains the bank M parameters which are added when the MOSS-TRI DSP SynthesizerOption is installed (pre-installed in the Tr

Program Edit ModeThe Write Program item in the page menu commands of each page lets you write an edited program to theprogram number you specify.Be su

1–1c: Assign/HoldHere, you can specify how notes will sound when keys are pressed.Voice Assign [Mono (Multi), Mono (Single), Poly]Selects whether the